Bibliography

2016

• Smith, Roberta, 'Martin Creed's Anti-Spectacle at the Park Avenue Armory', The New York Times, 9 June
• Searle, Adrian, 'Martin Creed: I keep hair. And I'm afraid of cheese', The Guardian, 18 May

Bibliography

2015

• Fortenbury, Diane, Morrill, Rebecca (eds.), 'Body of Art', London: Phaidon Press Limited, 2015, pp. 366, ill. in colour
• Nielson, Elizabeith, Luckraft, Paul (eds.), 'The Zabludowicz Collection; 20 Years', Beveren-Leie: Cassochrome, 2015, pp. 11, ill. (exh. cat.)

Bibliography

2014

• Lauson, Cliff, Morley, Paul [et al.]. 'Martin Creed: What's the point of it?', London: Hayward Gallery Publishing, 2014
• Griffin, Jonathan, Harper, Paul + [et al.], 'The Twenty-First Century Art Book', London: Phaidon Press Limited, 2014, pp.57, ill.
• 'Art as a verb', Caulfield: Monash University Museum of Art (MUMA), 2014, pp.36, ill. in colour
• Celant, Germano (ed.), 'Art or Sound', Milan: Fondazione Prada, 2014
• O’Donoghue, Hughie (ed.), 'Summer Exhibition Illustrated 2014', London: Royal Academy of Arts, 2014
• Stadler, Robert, Vaillant, Alexis (eds.), 'Quiz', Paris: Manuella Editions, 2014
• Cleland, Stephen, Jones, Jonathan [et al] ‘A World Undone: Works from the Chartwell Collection’, Auckland: Auckland Art Gallery Toi o Tãmaki Publishing, 2014 (exh. cat.)
• Danicke, Sandra, 'Kunst Ohne Titel', Stuttgart: Belser, 2014
• Stout, Katharine, 'Contemporary Drawing: from the 1960s to Now', London: Tate Publishing, 2014
• Ward, Ossian, 'Ways of Looking', London: Laurence King, 2014

Bibliography

2013

• Grovier, Kelly, ’100 Works of Art That Will Define Our Age’, London: Thames & Hudson, 2013, p. 85, ill. 

• Hushka, Rock, Lang, Brian J., 'Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon', Tacoma: Tacoma Art Museum, 2013
• Day, Charlotte, Parker, E Francis, Sharkey, Patrice, ‘Reinventing the Wheel. The Readymade Century’, Melbourne: Monash University Museum of Art, 2013, p.19, ill.

• Schuppli, Madeleine, Aargauer Kunsthaus Aarau (eds.), 'Rhythm in it', Lucerne/Poschiavo: Verlag Edizioni Periferia, 2013, pp.74-75, ill. (exh. cat.)
• Arnarson, Borkur (ed.), ‘Works on Paper’, Reykjavik: i8 Gallery, 2013, p. 25, ill.
• Harvey, Jonathan, Lancaster, Julia (eds.), ‘The Fire Station Project’, London: Acme Studios, 2013, p. 83, ill.
• Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz, 2013
• Bardiot, Clarisse, Daurier, Romaric, ‘Cabaret de Curiosités – Black / White / Live Box’, Valenciennes: Subjectile, 2013

• Moszynska, Anna, ‘Sculpture Now’, London: Thames & Hudson, 2013, p. 78, ill.
• Syz, Suzanne, ‘Suzanne Syz Art Jewels’, New York: Assouline, 2013
• Cronshaw, Jon, "Artist's serious work fills the room," Yorkshire Post, July
• Unterdörfer, Michaela (ed.), ‘Hauser & Wirth.20 Years’, Ostfildern: Hatje Cantz
• "Inside 20,00 balloons," Ottawa Citizen, February

Bibliography

2012

• Younis, Reef, 'The Turner Prize Winning Artist Asks: 'What's The Point Of It?'', Loud & Quiet, July 2012 pp. 24-25
• Beil, Ralf, Kraut, Peter (eds.) ‘A House Full of Music’, Darmstadt: Mathildenhohe, 2012
• ___, ‘BMW Art Guide by Independent Collectors’, Ostfildern: Hatje Cantz, 2012, p. 28
• Fondazione Marino Golinelli, ‘Da Zero A Cento le nuova età della vita Una Mostra di Arte + Scienza’, Milan: La Triennale di Milano, 2012
• Doswald, Christoph, ‘Art and the City’, Zürich: Tages Anzeiger, 2012
• ___, ‘Paper’, Nice: Association T, 2012, p. 40
• Fildaro, Daria, Aldo, Iori (eds.), ‘Arte Torna Arte’, Milan: Giunti, 2012, p. 70-71

Bibliography

2011

• Richmond, Cindy, Chang, Wendy (eds.) 'Martin Creed', Vancouver: Rennie Collection, 2011
• Vanmoerkerke, Mark, 'Collection Vanmoerkerke', Brussels: Rispoli Books, pp. 46-47, 49, ill.
• Jones, Darren, 'Industrial Aesthetics, Environmental Influences on Recent Art from Scotland', HUNTER, The City University of New York, NY New York, pp. 24-25, ill.
• Bruni, Lorenzo, ’Museums Galleries, Homes and other stories’, Milan: Galleria Enrico Astuni, 2011, pp. 3-21, ill. (exh.cat.)
• Birnbaum, Daniel, Butler, Connie, Cotter, Suzanne, 'Defining Contemporary Art: 25 Years in 200 pivotal artworks', pp. 170-171
• Schlieker, Andrea, 'Folkestone Triennial: A Million Miles from Home', Folkestone: Cultureshock Media Ltd., pp. 52-55, ill.
• Ngui, Matthew, Smith, Trevor, Storer, Russell, 'Singapore Biennale 2011 Open House', Singapore: Singapore Art Museum, pp. 226-227, ill.
• Hainley, Bruce, Higgie, Jennifer, Moulène, Claire (et al.), 'BigMinis', Berlin: Sternberg Press, 2011, p. 211, ill.
• Jones, Jonatan, 'Martin Creed's stairway to heaven', The Guardian, 1 August
• Ramaswamy, Chitra, 'Stepping out: The Scotsman Steps get a new lease of life',The Scotsman, 24 June
• Morley, Paul, 'Paul Morley Showing Off ... Martin Creed', The Guardian, 30 January
• 'My week in pictures', ‘The Observer’, Magazine, 30 January, p. 9
• Searle, Adrian, Review, Mother of all shows: Creed drives audience to delighted abstraction, The Guardian, 25 January 2011, p. 11
• Sumpter, Helen, 'Martin Creed makes the mother of all sculptures', Time Out London, 24 January

Bibliography

2010

• Greer, Germanie, 'Much ado about nothing', The independent Viewspaper, 22 July
• Sawyer, Miranda, 'The Wizard of Odd', The Observer, 18 July, pp.18-19
• Barnett, Laura, 'Martin Creed, artist', G2, 23 March, page 23
• Cashdan, Marina, 'Martin Creed', Modern Painters March, pp.16-17
• Wade, Mike, 'And now for my next trick - artist answers his critics with another simple slice of life', The Times, 20 February, p.15
• Miller, Phil, 'Restless native', The Herald Magazine, 20 February
• Bradley, Fiona, Coles, Alex, 'Martin Creed: Down Over Up', Edinburgh: The Fruitmarket Gallery
• Creed, Martin, Gioni, Massimiliano, 'Martin Creed Works', London: Thames and Hudson
• Eugenio Lopez Alonso Fundacion / Collection Jumex, 'Les enfants terribles', Mexico: Fundacion / Collecion Jumex
• Staatsgalerie Stuttgart, '“...Nur Papier, und doch die ganze Welt...“. 200 Jahre
• Graphische Sammlung', Stuttgart: Staatsgalerie Stuttgart, p. 264, ill. (exh. cat.)
• Polla, Barbara, Ardenne, Paul, 'Peintures. Please, pay attention, please', Larmont: Editions Le Bord de L'Eau – Collection La Muette
• Goldie, Peter, Schellekens, Elisabeth, 'Who`s Afraid of Conceptual Art? ', New York NY: Routledge, pp. 44-45, ill.
• 'The first ten years: definitely not alright', London: The art newspaper, January p. 1

Bibliography

2009

• Coles, Alex, 'Work No. 1020', The Financial Times, 27 October
• Anderson, Zoë, 'Martin Creed Work No. 1020', The Independent, October 21, ill.
• Craine, Debra, 'Martin Creed at the Lilian Baylis', The Times, October 19
• Tóibín, Colm, 'Ordinary World', Esquire, February, P. 55, ill.
• Coles, Alex, 'Martin Creed I've Got Rhythm', Phillips de Pury & Company: Music, 21 November, P. 36, ill.
• Griffiths, Catherine, Rees, Dan (eds.), Home for lost ideas, Turin/Berlin: Archive Books, pp. 98, ill.
• Ardenne, Paul, 'Art, Le Present: La création plasticienne au tournant du XXI. siècle', Paris: Edition du Regard, p. 293, ill.
• Kamiya, Yukie, Archer, Michael, 'Martin Creed', Hiroshima: City Museum of Contemporary Art, (exh. cat.)
• Besson, Christian, Fabvre, Bernard, Geignebet, Claude, et al., 'La dégelée Rabelais', Montpellier: Méditerrane Éditions
• Guglielmino, Giorgio (ed.), 'How to Look at Contemporary Art', London: Umbert Allemandi & Co., pp. 253-255, ill.
• Toshikatsu, Omori (ed.) 'Basic Action', Tokio: Hiromiyoshii, (exh. cat.)
• Bonham-Carter, Charlotte, Hodge, David, 'The Contemporary Art Book', London, Goodman, p. 55, ill.
• Selby, Aimée, 'Art and Text', London: Black Dog Publishing, p. 106, ill. Madden, Kathleen (ed.), 'In the Between', Istanbul: Egeran Art Advisory, pp. 18, ill.
• Rattemeyer, Christian, ′Compass in Hand′, New York NY: The Museum of Modern Art
• Hiromiyoshii, 'Basic Action: Toshikatsu Omori on Martin Creed', Hiromiyoshii, pp. 8, 10-11, 15, 27, 40, 54-55, 64-65 (exh. cat)

Bibliography

2008

• Trigg, David, 'Time and Motion', Art Monthly, November 2008, ill.
• Blincoe, Nicholas, 'Fast Forward', The Guardian, 27 September. ill.
• Jones, Jonathan, 'Reviewing Martin Creed with the benefit of reflection', The Guardian, 30 July, ill.
• Lubbock, Tom, 'Is art running out of ideas? Artists forced to explain modern art', The Independent, 14 July, ill.
• Walsh, John, 'So he dashed it off. But that does not mean it is not art', The Independent, 2 July
• Alberge, Dalya, The latest installation at Tate that will run and run, The Times, 1 July, P.13. ill.
• Higgins, Charlotte, 'Martin Creed's New Piece for Tate Britain: a show that will run and run', The Guardian, 1 July, P. 11, ill.
• Searle, Adrian, An Electrifying Gesture, The Guardian, 1 July, P. 11
• Channel 4 News, Nick Glass corresponds, 30 June, 2008
• Demir, Anaïd, 'Being Martin Creed', bc Magazine, issue 3, summer 2008, ill.
• Luke, Ben, 'Running at Life', Art World Magazine, issue 5, June/July 2008
• Campbell-Johnston, Rachel, Is Martin Creed a Genius? The Times, London, UK, 16 January, ill.
• Aspden, Peter, Tate Displays Taste for Weirdness, Financial Times, London, UK, 15 January, P. 3
• Brown, Mark, 'Minimalist Artist Pioneers Tate Britain's Annual Commision', The Guardian, 15 January
• Alberge, Dalya, Turner Winner Will Be Paid to Give Art Lovers The Runaround, The Times, London, UK, 15 January, P. 9, ill.
• Weeden, John, 'Art Risk Fun', Weeden Arts Watch, http://weedenartswatch.blogspot.com, 15 January
• Baracaia, Alexa, 'Tate Shows Creed in a Fresh Light', The London Paper, 14 January, P. 8, ill.

Bibliography

2007

• Collinge, Miranda, 'Strike A Pose', Esquire Magazine, November issue, P. 159, ill.
• Guner, Fisun, 'Relieve the Controversy', The Metro, 2 October, P. 25, ill.
• Boulton, David, 'Face To Faith', The Guardian, 22 September, P. 37.
• Cripps, Charlotte, In Praise of the Cistern, The Independent Extra, 20 September, P. 14-15, ill.
• Higgins, Charlotte, 'Who's Shocking Now?', The Guardian, Weekend, 8 September, P. 32, ill.
• New Young Pony Club vs. Martin Creed, Original music tracks written about artworks at Tate Modern
• Edgers, Geoff, 'ON and OFF' The Boston Globe, 13 September 2007
• Smith, Roberta, 'The Bearable Lightness of Martin Creed', New York Times, 13 July 2007, ill.
• Shaw, Lucy, ' My London', Evening Standard Magazine, May 2007, P. 58, ill.
• Falconer, Morgan, 'The Great Entertainer', Times 2, The Times, May 2007, P. 15, ill.
• Coomer, Martin, 'Exhibition of the week', Time Out, May 2007, P. 45, ill.
• Roberts, Bill, Hauser and Wirth Coppermill, Your Gallery, www.saatchi-gallery.co.uk, May 2007
• Searle, Adrian, Beyond the Jokes, The Guardian, G2, 08 March, pp 23-25, ill
• Lack, Jessica, 'Martin Creed', The Guardian Guide, May, P. 37, ill.
• Martin, Francesca, 'Martin Creed’s Toilets and Triangles' Arts Diary, The Guardian, April, P. 26
• Guest, Katy, 'The Art of Gardening', The Independent Magazine, April, P 31, ill
• Stern, Steven, 'Theatre of the absurd' Time out, New York, Issue 600, March P. 70, ill
• Mattioda, Mario, Interview, Vogue Italia,  Italy, Issue No. 679,  March, P. 242, ill
• Chiles, Lawrence, 'Get Me', Wonderland, London, Issue 7, Feb/March, P. 98, ill
• 'Martin Creed. Words and Music', The Herald, March 10 , P. 2, ill
• Vogel, Carol, 'Inside Art', The New York Times, January 5
• Kinnes, Sally, 'What’s over you mantelpiece', The Independent

Bibliography

2006

• Slyce, John, 'Martin Creed', Contemporary 21, Issue 89, P. 49, ill.
• 'Oh Christams tree, Oh Christmas tree', The Guardian, G2, December 20, ill Front page.
• Newbury, Tancred, 'How was it for them?', The Guardian, G2, December 6, P. 25
• Donohue, Graeme, 'What a load of balls', The scottish Sun, December 6, P. 13, ill.
• Smith, Aiden, 'Throwing up a few surprises', Scotland On Sunday, December 3
• Wallach, Amei, 'ART; The provocateur and his well heeled collaborator’ The new York Times, November 12
• Gautier, Michel, '+/- ‚ Martin Creed Ou La Solution Zero', 20/27, Issue No.1, P. 107, ill.
• Paul, Andrew, 'Stupid like nature', Listener – The things that matter, October 28 ill.
• Clifford, Andrew, 'Bypassing the tinking process', The New Zealand Herald, October 11 ill.
• Sheils Rosa, 'Creed’s Credo', Unknown, Date, ill.
• Guest, Katy, ' Credo', The Independant on Sunday,  October 6, P. 59, ill.
• Coulson, Amanda, 'Nothing', Art Review, London, Issue 04, October, P. 162, ill.
• Vetrocq, Marcia E, 'Martin Creed, Artful Dodger', Art in America, New York, No. 8, September pp.146-149, ill.
• Schjeldahl, Peter, 'New and Old', The New Yorker, September 11, pp. 86 / 87
• Baer-Bogenschütz, Dorothee, 'Goldschatz in Texas', Kunstzeitung, Regensburg, Nr. 121, September, p.13
• Schedlemayr, Nina, 'Disposition. Versponnenheit schlägt blutleere', Spike, Vienna, Summer no. 8, pp. 72-73
• Brooks, Arma, 'Must see art' in: LA Weekly,  August 31, ill, P. 60
• Ollman, Leah, 'Creed’s work delivers a shock', in: LA Times, Los Angeles/CA, August 25
• Hensher, Philip, 'That’s a Hirst? It’ll never sell...', The Independent, London, August 4
• Falconer, Morgan, 'Never a Hirst. Is it?', The Times, London, August 1, ill.
• Teodorczuk, Tom, 'The pig and the penguin: ICA trots out genius of youth', Evening Standard, July 31, p. 23, ill.
• Haden-Guest, Anthony, 'Under the influence', FT Weekend, London, July 30
• Moore, Christopher, 'Scape set to transform city', The Press, Christchurch, July 19, ill.
• 'Martin Creed Work No 370: Balls', Art Quarterly, London, 1. June p.134, ill.
• Vetter, Christian, 'Update: Zurich', in: We are the Artists, Zurich, No. 7, May-July p.7, ill.
• 'Ehemalige jüdische Mädchenschule, Auguststr. 11-13. Martin Creed', Kunstforum, Ruppichteroth, vol. 180, May-June pp. 242-243, ill.
• Malvern, Jack, 'Art of noise kicks up a stink', The Times, London, May 23, p. 5
• ArtKrush Interview on judging the ICA Becks Futures
• Artforum Diary Review, 'I Like Things', Fondazione Nicola Trussardi, 22 May
• L'espresso Video Interview Opening night of 'I Like Things', Fondazione Nicola Trussardi
• Cattelan, Maurzio; Gioni, Massimiliano; Subotnick, Ali (cur.), Of Mice and Men, 4^th Berlin biennial for contemporary art, 2006, (exh. cat)
• La Grua, Ashley, ‘My Secret Life’, [interview] The Independent Magazine, March 25, 2006, p.5
• Bruni, Lorenzo ‘Astrazione’, Arte e Critica, Issue 45, January-March 2006 pp. 54-55, ill.
• Basting, Barbara, 'Glanzlichter der Woche', Züritipp (insert in: Tagesanzeiger), Zurich, February 23 – March 1, p. 45, ill.
• Hess, Ewa, 'Kunst, aber schnell! ', Sonntagszeitung, Zurich, January 22, p. 47, ill.
• Sardo, Delfim; MARCO; Centro José Guerrero (ed.), 'The Invisible Show', Vigo: Museo de Arte Contemporanea de Vigo (exh.cat.)
• British Council Switzerland, 'Talking Art', Berne: British Council Switzerland (brochure)
• Casino Luxembourg – Forum d’art contemporain asbl, Luxembourg (ed.), 'joy', Luxembourg: Imprimerie centrale S.A., Luxembourg (exh.cat)
• Städtisches Museum Abteiberg (ed.), 'Strange I`ve seen that face before', Mönchengladbach/Cologne: Städtisches Museum Abteiberg/Dumont Verlag (exh.cat.)

Bibliography

2005

• Engberg, Juliana (cur.), Visual Arts Program 2005, Melbourne International Arts Festival, 2005, (exh.cat)
• ACCA, 'The lights off', Melbourne, 2005 (exh. cat)
• --, 'Martin Creed', Art Unlimited, Basel, 2005, pp. 58-59, ill.
• d’Ailly, Stella; Olausson, Lisa; Sten, Maja (cur.), ‘Extra Ordinary’, Stockholm, 2005, p. 50-51 (exh. cat)
• Adams, Clive; Bowes, Edwin (cur.), ‘The Art of White’, The Lowry, November 2005, p. 90 (exh. cat)
• Keller, Sam (ed.), Art Basel, ‘Conversations’ 2005, p. 17-18 (exh. cat)
• May, Susan (ed.), Size Matters, Exploring Scale in the Arts Council Collection, 2005 p. 30 (exh. cat)
• Raspail, Thierry (ed.), Experiencing Duration, Biennale d’art contemporain de Lyon 2005, September 14, 2005, p. 106-109 (exh. cat)
• Boubnova, Iara; Lunghi, Enrico (cur.) Joy, Casino Luxembourg, December, 2005 (exh. cat)
• Rugoff, Ralph, Monuments for the USA, Short Term Memory, CCA Wattis Institute for Contemporary Arts, 2005, (exh. cat)
• Morton, Tom, 'Lyons Biennale', Frieze, London, Issue 95, November-December 2005, pp. 128-129, ill.
• Meltzer, Eve, 'Monuments for the USA', Frieze, London, Issue 92, June-August 2005, p. 160
• Hardy, Katherine, 'Martin Creed: artist or musician?’, The Art Newspaper, New York, June 17, 2005, p. 2, ill.
• Douglas, Sarah, 'Report from Basel', Artinfo, Berlin, June 16, 2005, ill.
• Cattelan, Maurizio, 'Something to work for. Martin Creed interviewed by Maurizio Cattelan', [interview] Flash Art International, Milan, vol. 38, no. 242, May-June 2005, pp. 110-111, ill.
• Lafuente, Pablo, 'Down up', Flash Art International, Milan, vol. 38, no. 242, May-June 2005, pp. 114-115, ill.
• Lissmann, Christina, 'Holy Art Space!', Sleek Magazine for Art and Fashion, Berlin, Winter 2005/2006, pp. 58-63, ill.
• Harding, Jessica, 'Portrait of a Lady with an Ermine', Another Magazine,New York, Spring-Summer 2005, p. 98, ill.
• Bishop, Claire, 'But is it Installation Art?', Tate etc., London, Issue 3, Spring 2005, pp. 26-35, ill.
• Coles, Alex, 'Martin Creed', Frieze, London, no. 89, March 2005, pp. 130-131, ill.
• Honigman, Ana Finel, 'Nothing Fancy', on: www.artnet.com, February 24, 2005
• --,‘A panoramic view of art in the capital. Martin Creed’, Flash Art, Milan, January-February, 2005, p. 73
• Steggles, Annabelle, ‘Art Gillery’, The Sun, Glasgow, March 30, 2005, p. 21, ill.
• --, ‘If you’re lonely’, The Independent, London, July 30, 2005, p. 6-7, ill.
• Behrman, Pryle, ‘Lyons Biennale 2005’, Art Monthly, London, no. 291, November 2005, p. 21-23, ill.
• Bailey, Martin, ‘Collector Relations’, The Art Newspaper, London, no. 154, January 2005, p. 6
• Deal, Stephen, ‘It cost £30k, but for that you get to kick his balls’, Metro, London, March 29, 2005, p. 3 ill.
• Duffy, Gerry, ‘Load of Balls’, The Sun, March 29, 2005 p.23
• Goodwin, Karin, ‘Gallery puts 30,000 into load of balls’, The Sunday Times, London, March 27, 2005
• Brocklebank, Jonathan, ‘Having a ball’ Daily Mail, London, March 28, 2005, p. 3, ill.

Bibliography

2004

• Centre for Contemporary Art Ujazdowski Castle (ed.), 'Martin Creed: the whole world + the work = the whole world', Warsaw, 2004 (exh. cat.)
• Kunsthalle Bern (ed.), 'Martin Creed', Bern, 2004 (exh. cat.)
• Palais de Tokyo (ed.), 'Live', Paris, 2004 (exh. cat.)
• Longside Gallery, 'Bad Behavior: from the Arts Council Collection', Yorkshire, 2004 (exh.cat.)
• Domaine Pommery, 'Genesis Sculpture, Experience Pommery #1', Reims, 2004 (exh.cat.)
• --, Café in Mito, Communicable Action for Everybody, 2004, p. 26-27 (exh. cat)
• Steiner, Rochelle (cur.), State of Play, Serpentine Gallery, London, 2004, (exh. cat)
• --, Very New Art 2004, Vol. 56, No. 847, 2004
• Eccles, Tom (ed.), ‘Plop: recent projects of the Public Art Fund’ New York, 2004, p. 68-71, ill.
• Levin, Kim, 'None of the Above', Village Voice, New York, December 23, 2004
• Herbert, Martin, 'On the ground. London', Artforum, New York, vol. XLIII, no. 4, December 2004, pp. 73-76
• Anderson, Hephzibah, 'Art News', Metro, London, November 26-December 2, 2004
• O’Reilly, Sally, 'Martin Creed', Art Monthly, London, no. 281, November 2004, pp. 34-35, ill.
• Chapman, Peter, 'Private View: Martin Creed Hauser & Wirth, London W1', Independent, London, October 23-29, 2004, p. 17, ill.
• Campbell-Johnston, Rachel, 'This Week. The Best of the Arts chosen by The Times Team of Critics', Weekend Review (insert in The Times), London, October 23, 2004, p.1
• Coomer, Martin, 'Martin Creed', Time Out, London, October 20, 2004, ill.
• Pethick, Emily, 'Martin Creed', on: www.artforum.com, New York, October 15, 2004
• Güner, Fisun, 'Get the ball rolling', Metro, London, October 12, 2004, p. 26, ill.
• Akbar, Arifa, 'In art, you have to kick a few ideas around', The Independent, London, October 8, 2004, p. 3, ill.
• Fisher, Neil, 'First Choice', The Times, London, October 8, 2004, p. 18
• Byrnes, Sholto, 'An on/off affair', in: The Independent Review, London, October 7, 2004, pp. 6, 8, ill.
• CB, 'Martin Creed', The Guide, London, October 2-8, 2004, p. 37, ill.
• Roberts, Alison, 'This will put a smile on your face', Evening Standard,, August 3, 2004, p. 41, ill.
• --, 'Artists’ choice', The Independent, London, August 2, 2004, pp. 16-17, ill.
• Cullinan, Nicholas, 'State of Play', Frieze, London, no. 82, April 2004, pp. 93-94, ill.
• Kent, Sarah, 'No laughing matter', Time Out, London, March 17-24, 2004, p. 46, ill.
• Gingeras, Alison M., 'Painting without canvas or sculpting with paint', Contemporary, London, 2004, pp. 22-25, ill.
• --, 'My Secret Life: Martin Creed, artist', The Independent, London, January 31, 2004, p. 7
• Durland, Corinna, ‘Martin Creed: Twenty (More) Questions,’ Wrong Times, no. 1, 2004, pp. 2-3
• --, ‘This Week. The best of the arts chosen by The Times team of critics, Weekend Review, London, October 23, 2004, p. 1
• --, ‘Top 15’, Monopol, Berlin, no. 4, October-November, 2004, pp. 16-17, ill.
• Jennings, Rose, ‘Can everyone hear at the back?’ The Observer, October 10, 2004, p. 6
• --, ‘Martin Creed: Works CCA Ujadowski Castle Warsaw’ Contemporary, no. 62, 2004, p. 23
• Ward, Ossian, ‘Why are you all hanging around here?’, The Independent Review, London, October 14, 2004, p. 3
• Gleadell, Colin, Contemporary market, The Daily Telegraph, London, October 18, 2004.

Bibliography

2003

• Museum Boijmans Von Beuningen (ed.), 'Shine: Wishful Fantasies and Visions of the Future in Contemporary Art', Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh.cat.)
• --, ‘Bad Behaviour’, from the Arts Council Collection, 2003, pp. 56-57, ill.
• Darwent, Charles, 'Visual Art; Go on then, delight me... ', The Independent on Sunday, London, November 9, 2003, p. 13
•  --, 'Dancing with myself', Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 14-15, ill.
• Higgs, Matthew, 'Martin Creed', Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill.
• Higgs, Matthew, 'First Take', Artforum, New York, vol. XLI, no. 5, January 2003, p. 120
• Berwick, Carly, 'A Right Kind of Wrong', Artnews, New York, vol. 102, no. 1, January 2003, p. 25, ill.

Bibliography

2002

• Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, 'My Head is on Fire but my Heart is Full of Love', Copenhagen: Charlottenborg Udstillingbygning / Glasgow: The Modern Institute, 2002 (exh.cat.)
• CCAC Wattis Institute for Contemporary Arts (ed.), 'Rock My World: Recent Art and the Memory of Rock’ n’ Roll' [text by: Ralph Rugoff, Ann Powers, Matthew Higgs], San Francisco: CCAC Wattis Institute for Contemporary Arts, 2002 (exh.cat.)
• Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, 'Tempo', New York: The Museum of Modern Art, 2002 (exh.cat.)
• Collection Haubrok (ed.), 'No Return', Mönchengladbach, 2002, (exh.cat.)
• Millward, David, 'Turner Prize treatment for House of Commons, Artist aims to shed some light on politicians', Daily Telegraph, London, December 7, 2002, p. 11
• Donohoe, Graeme, 'Stars are so big arted', The Sun, London, August 15, 2002
• Sewell, Brian, 'Art', Evening Standard, London, May 30, 2002, p. 9
• Lafreniere, Steve, 'Top Ten', Artforum, New York, vol. XL, no. 9, May 2002. p. 47
• Donohoe, Graeme, 'Brave art; Exclusive', The Sun, London, March 14, 2002, p. 36
• Vetrocq, Marcia E., 'Arte Povera: The Recount', Art in America, New York, no. 3, March 2002, pp. 82-91
• Donohoe, Graeme, 'The crazy world of Martin Creed', The Sun, London, February 15, 2002, p. 40, ill.
• Irvine, Ian, 'A capital idea', The Independent, London, January 31, 2002, p. 10
• Brooks, Richard, 'Martin Creed, Biteback', Sunday Times, London, January 13, 2002, p. 12
• Davies, Brian, 'Letter: Alphabet as art', The Independent, London, January 7, 2002, p. 2
• McGrath, Kate, 'As easy as ABC', The Scotsman, Edinburgh, January 7, 2002, p. 13
• Lubbock, Tom, 'A letter in the newspaper', The Independent, London, January 1, 2002, pp. 6-7, ill.
• Sans, Jerome, 'On Stage', The Curator’s Egg, no. 3, 2002
• Reindl, Uta, Review, Tema Celeste, April, 2002 p. 92
• Mahoney, Elisabeth, ‘Art: Martin Creed’s maddening noises’, The Guardian, London, March 5, 2002, p. 14

Bibliography

2001

• Whitworth, Damian, 'Madonna swears by her artful defence', The Times, London, December 20, 2001, p. 3
• Bushell, Garry, 'Garry Bushel on the box: Turner this light off', The People, London, December 16, 2001, p. 14
• Collings, Matthew, 'Where were you when the lights went out?', Sunday Times, London, December 16, 2001, p. 2
• Grimston, Jack, 'Turner lights have glow of earlier art', Sunday Times, London, December 16, 2001, p. 7
• McGlown, Martin, 'Protester hurls eggs at Turner Prize light show', Evening Standard, London, December 12, 2001, p. 18
• Brown, Craig, 'Way of the World: The Turner dinner', Daily Telegraph, London, December 11, 2001, p. 25
• Campbell-Johnston, Rachel, 'Nothing ventured', The Times, London, December 11, 2001, p. 17
• Mullins, Charlotte, 'The tailor who created the emperor’s new clothes', The Independent, London, December 11, 2001, p. 5
• Wilson, Simon, 'Baffled? Don’t be', The Mirror, London, December 11, 2001, p. 12
• Reynolds, Nigel, 'Turner Prize won by man who turns the lights off', Daily Telegraph, London, December 10, 2001, ill.
• Jury, Louise, 'Blink and you’ll miss it, the light work that took the Turner prize', The Independent, London, December 10, 2001, pp. 2-3, ill.
• Gibbons, Fiachra, 'Judges switched on as Turner Prize goes to the Creed of nothingness', The Guardian, London, December 10, 2001, p. 3
• McGlown, Martin, 'Try this at home, says £20,000 Turner Prize winner', Evening Standard, London, December 10, 2001, p. 5
• Bowditch, Gillian, 'Art? Even Martin’s in the dark' [interview], The Sunday Times, London, December 9, 2001, p. 5
• Stewart, Helen, 'You call that art?', The Scotsman, Edinburgh, December 7, 2001, p. 4
• Denny, Ned, 'Tate that', The Statesman, London, November 26, 2001
• Aidin, Rose, 'Bright lights, small islands', The Times, London, November 24, 2001, p. 42-43, ill.
• --, 'Pandora', The Independent, London, November 8, 2001, p. 4
• --, 'Artists light up prize list', The Sun, London, November 7, 2001, p. 25
• Bush, Kate, 'London Field', Artforum, New York, vol. XXXIX, no. 1, September 2001, p. 85
• McGee, John, 'Space-Jack!', on:www.metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, 2001, ill.
• --, 'Turner art prize judges Blu it with tacky choice', The Sun, London, June 5, 2001, p. 34
• Johnson, David, 'It’s pretty good rubbish and I’m not binning it', Sunday Times, London, June 3, 2001, p. 2
• Alberge, Dalya, 'Familiar rubbish on Turner shortlist', The Times, London, May 31, 2001, p. 3
• Cummins, Fiona, 'My blu period', The Mirror, London, May 31, 2001, p. 22
• Darvill, Mike, 'A blob of blu-tack in running for art prize', The Sun, London, May 31, 2001, p. 19
• Searle, Adrian, 'Appalling Fascination of a Career-enhancing Competition', The Guardian, London, May 31, 2001
• Millard, Rosie, The Times, London, June 8, 2001, p. 7
• Gibbons, Fiachra, ‘It’s On, It’s Off, but is it Art?’, The Guardian, London, November 7, 2001
• Dorment, Richard, ‘Dullness and Decadence’ The Daily Telegraph, London, November 7, 2001 p. 18
• Cumming, Laura, ‘What, No Elephant Dung?’, The Observer, London, November 11, 2001, p.10
• Kent, Sarah, ‘A Funny Turner’, Time Out London, London, November 14, 2001
• McEwen, John, ‘Grave Time for Turner’, Telegraph, London, November 11, 2001, p. 6
• Alberge, Dalya, ‘Turner Judges see the Lights’, The Times, London, December 10, 2001 p.3
• Vogal, Carol, ‘A Prize for Lights’, The New York Times, New York, December 14, 2001, Arts Section, p. E36
• Carsaniga, Prof G, ‘Letter: Turner Puzzle’, The Independent, London, December 11, 2001
• Reade, Brian, ‘Prize art? Now it’s your Turner…’, The Mirror, London, December 11, 2001, p. 12-13
• --, ‘Londoner’s Diary’, Evening Standard, London, December 11, 2001
• Searle, Adrian, ‘Urban outfitters’, The Guardian, London, December 4, 2001

Bibliography

2000

• Southampton City Art Gallery (ed.), 'Martin Creed Works', Southampton: Southampton City Art Gallery, 2000 (exh.cat.)
• Button, Virginia, Esche, Charles (ed.), 'Intelligence. New British Art 2000', London: Tate Publishing, 2000
• Whitechapel Art Gallery (ed.), 'Protest And Survive', London, 2000 (exh.cat.)
• Shed im Eisenwerk (ed.), '...sabotage... ', Frauenfeld, 2000 (exh.cat.)
• Chelsea & Westminster Hospital, 'DON'T WORRY', London, 2000 (exh.cat.)
• Bishop, Claire, 'The Creed of Banality', Evening Standard, London, November 14, 2000, p. 57
• Coles, Alex, 'Martin Creed at City Art Gallery', Art in America, New York, no. 11, November 2000, pp. 176, ill.
• Jones, Jonathan, 'Let there be light', The Observer, London, March 19, 2000, pp. 16-17, ill.
• Campbell-Johnston, Rachel, 'He’s got the whole world in his signs', The Times, London, March 15, 2000, p. 18, ill.
• Lewisohn, Cedar, 'Art & Rock Stars', Flash Art, Milan, March-April 2000, pp. 78-81. ill.
• Buck, Louisa, 'Martin Creed', Artforum, New York, vol. XXXVIII, no. 6, February 2000, pp. 110-111, ill.
• Searle, Adrian, 'Is this what they call pop art?', The Guardian, London, January 18, 2000, pp. 14-15, ill.
• MacMillan, Ian, ‘I’m saying Nothing’, Modern Painters, pp. 42-44
• Cotter, Holland, ‘Surging into Chelsea’, The New York Times, New York, January 21, 2000
• McFarland, Dale, ‘DON’T WORRY’, Frieze, London, no. 52, May, 2000
• Buck, Louisa, ‘Moving Targets 2; A users guide to British art now’, Tate, London, 2000, pp. 118-119

Bibliography

1999

• Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Thames & Hudson, 1999
• Collings, Matthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, 1999
• Patrizio, Andrew (ed.), 'Contemporary Sculpture in Scotland', Craftsman House (imprint of G&B International, Sydney), 1999 (exh.cat.)
• --, 'A message to our readers', The Art Newspaper, London, no. 98, December 1999
• Buck, Louisa, 'London Calling by Louisa Buck', The Art Newspaper, London, no. 98, December 1999
• Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’, The Mirror, London, November 12, 1999, p. 15
• Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', The Daily Record, Glasgow, November 12, 1999
• Mark, Lisa Gabrielle, 'Fresh Heir', C, International Contemporary Art Publication, Toronto, no. 63, September 1999
• Beech, Dave, 'Martin Creed', Art Monthly, London, no. 226, May 1999
• Higgs, Matthew, 'Martin Creed: 20 Questions', Untitled, London, no. 18, Spring 1999
• Lillington, David, 'Martin Creed', Metropolis M, Utrecht, April 1999
• Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', The Observer, London, March 14, 1999
• --, 'Rubbish to some, but art of Creed has cult status', Daily Mail, London, March 8, 1999, p. 27, ill.
• Mclver, Brian, 'Meet the modern artist who admits his work in rubbish', Saturday Times, Glasgow, March 6, 1999
• McFarland, Dale, ‘On Martin Creed’ Frieze, London, 1999, pp. 66-69
• --, ‘World of art gets it all screwed up’ The Mirror, London, November 12, 1999

Bibliography

1998

• Obrist, Basualdo; Bonami, Cameron [et al.], 'cream – contemporary art in culture', London: Phaidon Press, 1998
• Bingham, Juliet; Watkins, Jonathan; Spark, Joe, 'every day', Sydney: Biennale of Sydney Ltd, 1998 (exh. cat)
• Whitechapel Art Gallery (ed.), 'Speed', London, 1998 (exh. cat.)
• Toppila, Paula, 'Proper (blind date) 1-3', Helsinki: Frame Finnish Fund for Art Exchange, 1998 (exh. cat.)
• Buck, Louisa, 'UK Artist Q&A' [interview], The Art Newspaper, London, no. 86, November 1998
• Stephens, Craig, 'Live Scene: Owada', Revolver, Sydney, September 28, 1998
• Buck, Louisa, 'Faces, places and spaces to watch in 1998: your cut-out and keep guide to the future of British art', New Statesman, London, January 2, 1998

Bibliography

1997

• Collings, Matthew, 'Blimey. From Bohemia to Britpop', London, 1997
• Gallagher, Ann, 'Dimensions Variable – New Works for the British Council Collection', London: The British Council, 1997
• Pigott, Hadrian [et al.], 'Go into a shop and ask for nothing', Very, New York, no. 2, 1997
• Green, David, 'Minimal Interventions', Contemporary Visual Arts, London, no. 17, 1997
• Wilson, Andrew, 'Band Art', Art Monthly, London, no. 210, October 1997
• Archer, Michael, 'The Object of Art', Art Monthly, London, no. 208, July-August 1997
• Kyriacou, Sotiris, 'Propositions', Art Monthly, London, no. 208, July-August 1997
• Freedman, Carl, 'Generation W(eird)', The Guardian, London, May 27, 1997
• Joliffe, Kira, 'The Idler Presents: Owada', The Idler, London, no. 18, Spring 1997
• Coles, Alex, 'Martin Creed – No Entry', Art + Text, Los Angeles, no. 56, February-April 1997

Bibliography

1996

• Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' [artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996
• Rolo, Jane, Hunt, Ian (ed.), 'Bookworks – A Partial History and Sourcebook', London: Bookworks, 1996
• Arts Council of England (ed.), 'Ace!', London: Arts Council of England, 1996
• Frith Street Gallery, Karsten Schubert Gallery (ed.), 'From Figure to Object: A Century of Sculptors', London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh.cat.)
• Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh.cat.)
• Williams, Gilda, 'Martin Creed Tabula Rasa', Art Monthly, London, no. 195, April 1996

Bibliography

1995

• --, 'My Darling Cicciolina', London: FILEF, 1995 (exh.cat)
• Piccoli, Cloe, 'Martin Creed', Flash Art Italia, Milan, December-January 1995-1996
• Kent, Sarah, 'Sound & Vision', Time Out, London, August 30 – September 9, 1995
• --, 'The Ruby Kelly Column', Art Review, London, vol. XLVII, June 1995
• Lederman, Erika, 'Unlimited Works at Starkmann Limited', Art Monthly, London, no. 185, April 1995

Bibliography

1994

• Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, 1994
• O’Reilly, John, 'Art for Bart’s sake', The Modern Review, London, vol. 1, no. 16, August-September 1994
• Searle, Adrian, 'Martin Creed and Sam Samore', Time Out, London, July 21-July 27, 1994

Bibliography

1992

• Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', City Limits, London, January 1992